The leadership is shared between them, and the children are enjoying having their ideas valued, both from the adult filming, and from the rest of the group when we hear them joining in behind them. Even though the children are not talking, they are interacting non-verbally with each other, taking turns, making eye-contact and copying each other’s actions and movements.
Did you notice how when one child paused to fix his instrument then other hesitated too? Children pick up on each other’s playing behaviour and often accommodate each other during moments of change or repositioning of the instruments, regulating their behaviour as they wait for each other to join back in and see what happens next. Being able to share attention like this and tune into each other’s non-verbal cues is also an early communication skill. Can you tell if there is a leader here? They are so ‘a-tuned’ it’s difficult to tell!
Some ideas might be…
A range of beaters could be offered, so that the child can explore a wider range of sounds with the objects available
Have the same resources set up on a table or outside to facilitate movement
An adult could join the child in play by mirroring/imitating their actions, or extend by adding a different pattern, rhythm or object. This would also be a nice way of encouraging non-verbal communication between adult and child.
Children love to lead and have their ideas followed, and with big gestures leading with his arms this young lad is able to control the music making stopping and starting, and from loud to soft. Children will play this kind of game for much longer when an adult is involved and will extend and develop their ideas by exploring different sounds, choosing, playing and maintaining contact with the leader
The child then chooses to bring the sounds together at the end and a new idea emerges, faster playing and another child joins the interaction. A community of drummers in this shared communicative and musical exchange.
This child is mainly exploring sounds and objects independently, however he is allowing the adult to share attention and proximity with him while he plays, a duet or coming together in shared thinking as the adult uses the same sounds and actions to match the boy’s musical play . Can you think of any other ways the adult could join the child’s world and perhaps further encourage two-way interaction?
This acts as a kind of musical question game leading to a new game. Communicatively, we can see how the child waits for the adult’s response each time before he plays again – much the same way we do in conversation. Moving the chime bars around into different patterns allows the game to continue and creates a visual score as the child creates their own sequences.
Further musical qualities you can observe here include:
The constant pulse heard through the sticks and seen through the practitioner’s movement
Use of dynamics
Interesting contrasting rhythmic sections
Clear instructions, repetition of the action words and simple but effective modelling of the activity.
You could encourage children’s communication in this activity through pausing/waiting for them to take a turn, offering choices, or allowing them to take the lead and add their own ideas.
There was lots of rhythmic play as children stomped, jumped in puddles too. The sounds got faster, altering as they ran chasing each other in wellies and wet suits, up and down our path. One little girl found a crack in the path that was channeling water into our builders’ tray. She sat in it for ages, filling her metal bowl, becoming absorbed in the process of filling her container and emptying it into the tray in which she sat.
